Movie & TV Screenplays — Page 2
Browse 2,258 movie and TV screenplays in PDF: Titanic, The Godfather, Pulp Fiction, Oppenheimer and more. Read the original scripts online, download free PDFs, and study Hollywood format, dialogue and structure scene by scene.
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Fargo (1996)
Ethan Coen, Joel Coen · 104 pages
The Coens' black-comedy model — a petty crime snowballing into catastrophe, with a famously late protagonist entrance.
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No Country for Old Men (2007)
Ethan Coen, Joel Coen · 122 pages
The Coens' austere McCarthy adaptation — restraint bordering on silence and an anti-genre climax inside a chase.
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There Will Be Blood (2007)
Paul Thomas Anderson · 130 pages
Anderson's epic of ambition and isolation — a long wordless opening and one man's decades-long descent.
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The Silence of the Lambs (1991)
Ted Tally · 123 pages
Tally's psychological-thriller model — dual antagonists, interrogation power struggles, and a heroine's arc.
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American Beauty (1999)
Alan Ball · 121 pages
Ball's suburban fable — a dead-narrator frame and interwoven family ensemble collapsing beneath an ordinary surface.
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The Big Lebowski (1998)
Ethan Coen, Joel Coen · 124 pages
The Coens' cult noir deconstruction — a loose plot held up by character, driven by a comedy-of-errors engine.
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Good Will Hunting (1997)
Matt Damon, Ben Affleck · 123 pages
Damon & Affleck's Oscar-winning original. The Will–Sean sessions peel a character layer by layer; the park bench monologue is dialogue school.
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Inception (2010)
Christopher Nolan · 182 pages
Nolan's five-layered original. Study how the rules of a high-concept world are taught to the audience scene by scene, never dumped.
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Interstellar (2014)
Jonathan Nolan, Christopher Nolan · 168 pages
The Nolans' hard-sci-fi love letter, where relativity is an emotional lever, not exposition — and cross-time parallel action lives on the page.
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The Truman Show (1998)
Andrew Niccol · 104 pages
Niccol's high-concept fable — how to establish a world that is itself a lie inside act one, and make every side character a brick of it.
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Forrest Gump (1994)
Eric Roth · 218 pages
Eric Roth's American epic — the textbook answer to how a passive protagonist can still drive a story across thirty years of history.
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Titanic (1997)
James Cameron · 157 pages
James Cameron's epic of love and disaster. A masterclass in framing fiction inside historical fact and sustaining three hours of countdown tension.
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Schindler's List (1993)
Steven Zaillian · 157 pages
Zaillian's morally weighted adaptation — vast history focused through one man's transformation with unflinching restraint.
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Fight Club (1999)
Jim Uhls · 154 pages
Uhls' unreliable-narrator classic from Palahniuk — deceptive voice-over and the setup for its third-act reversal.
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The Matrix (1999)
Lilly Wachowski, Lana Wachowski · 133 pages
A computer hacker joins a rebel group to overthrow sentient machines that have enslaved humanity in a simulated reality.
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Get Out (2017)
Jordan Peele · 99 pages
Peele's social-thriller original — a genre shell carrying subtext, with tightly interlocking setups and payoffs.
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Parasite (2019)
Bong Joon-ho, Jin Won Han · 144 pages
A destitute family schemes their way into a wealthy household, only to face a shocking underground secret that threatens everything.
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Moonlight (2016)
Barry Jenkins · 99 pages
Jenkins' three-act life poem — a triptych across three ages, immense emotion inside restraint and silence.
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Lady Bird (2017)
Greta Gerwig · 115 pages
Gerwig's coming-of-age original — the daily grain of a mother-daughter bond in seemingly loose yet precise scene selection.
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Her (2013)
Spike Jonze · 106 pages
Jonze's near-future romance — making a human–AI relationship believable and moving, soft sci-fi in service of feeling.
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Arrival (2016)
Eric Heisserer · 29 pages
Heisserer's Ted Chiang adaptation — linguistics as narrative engine, where nonlinear structure is itself the reveal.
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The Departed (2006)
William Monahan · 179 pages
Monahan's dual-mole adaptation of Infernal Affairs — parallel structure, symmetry and identity-suspense information control.
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Django Unchained (2012)
Quentin Tarantino · 201 pages
Tarantino's genre-hybrid revenge tale — a Western skeleton carrying long, tautly paced standoff scenes.
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Reservoir Dogs (1992)
Quentin Tarantino · 100 pages
Tarantino's debut — the heist itself absent, built from nonlinear before-and-after and single-room dialogue tension.